Final Fantasy and Philosophy: Kupo For Karl And The Materialist Conception Of History

In which Michel S. Beaulieu conflates economic class with character class.

That’s just a snarky opener, though. So far as I can tell the paragraph in which Michel says he tends to privilege his mages while treating knights and thieves like expendable laborers is just a joke, or maybe an example of how all-pervasive the paradigm of economic class conflict can get. He doesn’t actually rest his conclusions on it.

This essay asks the question: Are any of Final Fantasies heroes Marxist heroes? A Marxist hero being one who seeks to overthrow an oppressive regime in order to usher in a new and better society. Not even necessarily a utopian society, as Marx posited that society had progressed from tribalism, to feudalism, to capitalism, and only from there would it progress on to the final stage of communism. That last one didn’t actually go so well, but the basic concept of a Marxist hero is nevertheless someone who leads society to a new and better way of doing things in a time of upheaval.

You’d expect the answer to be yes, that Final Fantasy heroes are frequently Marxist heroes. I mentioned in an earlier post that Final Fantasy is rife with ecoterrorists, sky pirates, and rebel alliances. Nevertheless, Michel makes the claim that none of the Final Fantasy heroes are Marxist heroes – and I think I agree with him. In FFXII, Vaan and company thwart a belligerent emperor’s plan for world domination using his newly built superweapon, although the real emotional climax comes a few scenes earlier when Princess Asche rejects the use of magic nukes to defend her kingdom’s sovereignty. The thing is, the game calls her “princess” because that’s the title she held at the time when Dalmasca recognized her authority, but by the time the game takes place, her parents are already dead and she is the queen in exile of Dalmasca – and is reinstated on the throne afterwards. So far as we can tell, Dalmasca was a capitalist constitutional monarchy under both Vayne and Asche’s rule, Vayne was just more of a jerk about it.

Final Fantasy II? Same deal, evil emperor taking over the world, heroes defeat him, reinstate deposed monarchs who are capitalist if not feudal. Final Fantasy I? You restore like three kingdoms to power. Final Fantasy VI? It’s not entirely clear what happens to the world after Kefka is defeated, but our heroes were fighting to restore conquered monarchies before the world ended and are some of the last potential leaders of society left standing after Kefka’s near-omnicide, so probably they’ll be able to shape society in their image, which seems like it’s either feudal or maybe a constitutional monarchy (a variant on capitalism, by Marxist reckoning).

What about Final Fantasy IX, in which the heroes are a scrappy thief who robs from the rich, a member of an oppressed artifical class used as cannon fodder, and a runaway princess enemied to her monarchial mother? Capitalist Lindblum and its regent Cid is an ally of the party and the runaway princess is crowned queen partway through the game, not as a betrayal of all the heroes stand for, but simply because replacing an evil queen with a good one is how you solve the problem of evil queens in Final Fantasy IX.

What about Final Fantasy VII, the one with an evil megacorporation as the primary villains? A distinctly modern world, not the magepunk Renaissance or Victorian (ish) settings common in other games. Surely this one gives us Marxist heroes? …Kind of? Final Fantasy VII ends very ambiguously. All we know is that centuries later, the destroyed Midgar remains depopulated and has been reclaimed by nature, and at least one party member survived. The others presumably do not live for centuries, but the fact that Red XIII made it out alive does imply that the party in general didn’t immediately die as a result of the massive clash between Holy and Meteor immediately following Sephiroth’s defeat. Advent Children also confirms that society is actually mostly intact after the fall of Shinra, and also that the former president of Shinra is apparently explosion-proof but reliant on a handful of his elite corporate goons rather than commanding all of society like he did during the original game.

So, Shinra was defeated, and in its place there is…some kind of society. Advent Children was mostly about fan service – the entire second act was basically just a deluge of callbacks to Final Fantasy VII while the plot waits around for Sephiroth to come back – and doesn’t really do a whole lot of worldbuilding about how things have changed. It doesn’t seem especially communist, though, which means Cloud et al sure didn’t push the change that Marx claimed would follow on from the failure of capitalism. So, no, not even Final Fantasy VII really has Marxist heroes, despite using a megacorporation as a villain.

If you’re wondering how materialism – that is, the belief that all that exists is the material world, and that consciousness therefore arises from some kind of physical thing – factors into all this, so far as I can tell, it doesn’t. Marx was materialist, but his materialism never seems to actually come up.

Final Fantasy and Philosophy: Shinto and Alien Influences in Final Fantasy VII

If you’re asked to contribute an essay to Final Fantasy and Philosophy, you are immediately faced with a problem straight out of game theory: Do you write about Final Fantasy VII, by far the most well-known game in the franchise, or do you write about one of the other installments? Writing your essay by itself, picking Final Fantasy VII is a no-brainer, but there are other contributing authors, a dozen or more of them, and they’ll also want to pick Final Fantasy VII. If you went with Final Fantasy IX to make your point, you’d probably have that whole game all to yourself, and your essay would be burned into the memory of all FFIX fans. But what if everyone else thinks the same thing, leaving FFVII vacant, or even just underpopulated? After all, if there’s only one or two other FFVII essays in the collection, yours could still stand out. And if everyone avoids FFVII for fear of the competition, you could have that sweet, sweet FFVII turf all to yourself. But what if half the other authors decide to take that same gamble? Then you’d be better off staking a unique claim to FFIX again.

Jonab Mitropolous took the gamble of writing for FFVII and lost, submitting the fourth (and counting) essay rooted that talks mostly or exclusively about that game (and I’m being generous in not counting Objectification as one of them, since it discusses FFVII, VIII, and IX – and gets VII and VIII confused with each other). Special shout-out to Greg Littman, who did the smart thing and drew from just about every main line game in the series, thus guaranteeing that he’d have an exclusive claim to whichever game the other authors didn’t land on.

Jonab argues in this essay that JENOVA, the evil alien entity seeking to annihilate all life on the planet, is analogous to western influences on Japan. He also asserts that the Shinto religion/culture that gave rise to this depiction totally isn’t xenophobic, you guys. You can’t really have a culture that depicts foreigners as world-devouring aliens and claim it’s not xenophobic. The analogy between JENOVA and western influence is pretty much completely unsupported to begin with (it pretty much begins and ends with “they’re both some kind of outsider”), but the weird doublethink that 1) JENOVA represents western influence but 2) the game is about (among other things) Shinto’s adaptability and ability to incorporate new thought into itself without abandoning old traditions hangs over the entire essay like a specter. JENOVA is not negotiated with. It is pure evil that corrupts everything around it and both it and those who serve it must ultimately be destroyed. The essay even specifically highlights later on that JENOVA is a source of corruption that turns everything exposed to it for too long into a tool of evil. You can’t reconcile that with JENOVA being a metaphor for western influence and the ultimate point being Shinto harmonizing with (rather than being radically, xenophobically opposed to) foreign influence.

Basically, the whole essay just free associates between plot elements of Final Fantasy VII and cultural elements of Shinto, completely ignoring things which very obviously don’t fit and even forgetting its own metaphors halfway through. It does the same thing to Japanese history, strongly implying that the militarization of Japan in the 20s and 30s was a result of a failure to keep out western influences, but Japan’s xenophobia was never stronger than in the years during and immediately before World War II, when they were raping Nanking and all. The essay tries to attribute this to western influence, but it’s not exactly out of step with Japan’s long history of militant xenophobia leading up to that point. Quite contrary to the essay’s implication that the Expulsion Edict of 1825 was the first time Japan had tried to close itself off from outside influence, but Japan closed itself for the first time in the 17th century under the Tokugawa Shogunate, 150 years before then. In the 1850s when the United States showed up with a few gunboats full of diplomacy, the reason why this relatively small flotilla was able to intimidate an entire nation into (briefly) reversing their centuries-long policy of total isolation because their cannons were far more modern and thus had much better range and could bombard Japanese ports with impunity.

Like, look at this:

As three different forces (Lifestream, Meteor, and Holy) converge, the same image of Aerith’s face from the beginning of the game flashes across the screen, suggesting that the way of the Earth (as Aerith’s name shares a phonetic correspondence with the word Earth) mediates this convergence. We see her mediation, like Shinto, is not articulated but simply lived.

Aerith is supposed to represent the Earth because her name kinda sounds like the English word “Earth,” and the mere presence of her image at all is supposed to imply a mediation (rather than conflict) between powers that up until now had very clearly been split into good (Lifestream, Holy) and evil (Meteor), this mediation apparently being “not articulated but simply lived” because there is no dialogue that would, y’know, lend any credence at all to this interpretation.

This whole essay is just Jonab Mitropolous free associating from the contents of Final Fantasy VII to the conclusion he wants to push, and no effort is made to actually chain a coherent line of reasoning from one to the other.

Final Fantasy and Philosophy: The Four Warriors of Light Saved the World, But They Don’t Deserve Our Thanks

This title is one of the ones where I have no idea which words should be capitalized. Maybe I should do what the book itself does and get around this problem by just screaming the title at the reader in all caps.

Essay author Nicolas Michaud is a professor for at least one Flordia university. Rate My Professor gives me three different results, all in Florida, so I’m pretty confident in the accuracy of the contributors’ section claim that he uses university teaching as a cover while training an army of minions for world domination. For one thing, look at that name.

The title gets my hackles raised that this might be one of those “free will doesn’t exist if you redefine free will to mean something dumb” essays, though. We get confirmation on page two that this is, in fact, the case:

But to know whether we should thank the Warriors for saving the world, we need to know whether they have free will. If they don’t have free will and have no choice but to save the world, then why thank them? Why thank someone who has no choice but to do something?

The practical answer is because gratitude is an instinct for long-term cooperation by establishing trust that debts incurred will be repaid, and it is beneficial to demonstrate this in general even if the specific person you’re repaying would keep helping you regardless of your reaction. Also, if you’re belaboring whether or not to express gratitude to people who have already fulfilled a prophecy to save the world, then whether or not they will continue to help you is up in the air, so it’s a good idea to encourage them to keep protecting you from danger.

The moral answer is that gratitude is an expression of justice and fairness, that people who help others deserve to be helped in return, and the fact that someone was able to predict in advance that the Warriors of Light would be both capable and generous enough to get up to world saving does not change the fact that they were willing to risk life and limb to help others. The prophecy didn’t single them out by name, only number and accomplishment, so it’s not like they knew in advance everything would turn out okay. For that matter, the prophecy never said all four would survive the final battle.

The whole premise of the front half of this essay is redefining free will from “capable of choosing one course of action over another based on internal deliberations” to “capable of making completely and utterly unpredictable decisions,” and then after switching to the second definition, pretending that you’re still using the first to make declarations about morality and justice. If “free will” just means “unpredictability,” then who cares whether or not the Warriors of Light have it? You’ve redefined “free will” to have nothing to do with making decisions, and the Warriors of Light still made the decision to help the world, regardless of the fact that the decision was predicted in advance. This is the part where Nicolas Michaud would say “aha! But if you can predict in advance with perfect accuracy how someone will decide, was there ever really a decision made at all?” The answer is yes, and also, why would you think otherwise? Holding someone accountable for their decisions is about intention, not predictability. If we can perfectly predict in advance that these four level 1 losers have the intention (and ability) to save the world, not only should we thank them, we should start thanking them right now rather than waiting until they pull it off. Whatever future-predicting magic we have in this hypothetical is perfect, so we don’t need to wait for them to prove they deserve our gratitude. We already know. Thanks in advance for saving the world, have a free sundae. This argument is literally “they only saved the world because they’re kind, generous people who believe in justice and want to help others! What’s so praiseworthy about that?”

This argument always comes off like “it’s not my fault I missed my kid’s baseball game! The universe is deterministic! I never had a choice!” When we say “you had a choice” we aren’t talking about the boundary conditions of the universe, dumbass, we mean that the critical factor that led to you missing your kid’s baseball game was you. Your car didn’t break down, you didn’t forget, you just decided to stay home and watch TV instead, which means we can expect you to act selfishly as a general rule and we will repay your anti-social behavior by excluding you from the parts of society that we reserve for people who act in a reasonably pro-social manner.

(I apologize to any people named You who may have felt attacked by that last paragraph.)

Side note about forgetting, the reason why there’s no point in blaming people who forget to do things is that this is an engineering problem, not a moral one. If someone is genuinely forgetful and not just selfish, setting up a system that reminds them to do things will solve the problem.

Additional side note, addressing kleptomania:

Consider someone who can’t help stealing. If someone is unable to refrain from committing a crime, we often absolve the person of blame. That is the whole basis of the insanity defense.

No, it isn’t. The basis of the insanity defense is that someone who commits a crime because they have misunderstood the situation in a clearly deluded way is different from someone who commits a crime despite understanding the situation perfectly. The former is a medical problem. If we were able to cure this person of their delusions, they would no longer commit any crimes. The latter is a moral problem. The thief knowingly chose to harm someone else for their own benefit. The problem is not that they are confused, but that they are selfish. The problem is not with what they believe, but with who they are. Okay, so they didn’t choose to be a selfish person. So what? Why is “because I felt like it” suddenly a defense?

Final Fantasy and Philosophy: Final Fantasy and the Purpose of Life

Greg Littman is our first returning author from Dungeons and Dragons and Philosophy (technically the other way around – D&D&P was 2014, FF&P was 2009). In our previous foray into Greg Littman’s literature, he tried to convince us that no one could be held responsible for anything because the universe is deterministic, and then implored us to change our perspective/behavior based on this, something which he’d just got done telling us was impossible. This time he’s gong to try and discover the meaning of life.

This essay examines the moral philosophies of Thomas Hobbes, John Stuart Mill, and Aristotle by examining whether they would approve of the actions of the protagonists of various Final Fantasy games. It actually examines the actions of the protagonists of all main line Final Fantasy games released at date of publication (so, up to XII). Thomas Hobbes believes that all humans are fundamentally self-interested and that, in a state of nature, exist in a constant war of all against all, with a life that is nasty, brutish, and short. According to Hobbes, civilization is only possible because people give their absolute obedience to monarchs, and no matter how terrible a monarch’s rule, it is always better than civil war or revolution. Apparently he wasn’t familiar with Athens or Rome. Final Fantasy heroes get a poor grade from Hobbes, what with all the ecoterrorists, rebel alliances, and sky pirates.

John Stuart Mill generally approves of Final Fantasy heroes for all the world-saving they get up to. There’s an aside in each of these sections, more notable here than in Hobbes’, about Final Fantasy XI, the MMORPG, where it’s entirely unclear whether or not the vast and diverse army of PCs behave for one reason or another, but there’s also a discussion about whether or not the players themselves are moral for playing the game. According to Mill, kinda sorta, in that playing the game is fun and therefore increases utility, but probably players could get more utility helping other people even if they personally found it unpleasant. That’s true, but it’s not like John Stuart Mill didn’t live a life of idle leisure his entire life while the industrial working class lived in squalor, so what the Hell, man.

Aristotle claims to define his virtues as the balance point of moderation between two extremes, and like a lot of ancient Greek philosophy, this falls down under careful scrutiny because I guess once Diogenes bit it there were no more sardonic Devil’s advocates left in the entire Greek-speaking world and you could get away with practically anything. The flaw in this one is that you can redefine the extremes to push the middle wherever you want. Aristotle claims that courage is the balance point between recklessness and cowardice, but running away could just as easily be the balance point between fighting and being paralyzed with fear. Aristotle’s claim that being well-educated is the secret to virtue is not an easy one to evaluate Final Fantasy characters with. How did Cloud do in high school? How much education is involved in Yuna becoming a summoner? Even laying aside the fact that Aristotle’s virtue ethics are ultimately circular, we don’t actually know enough about Final Fantasy protagonists to determine if they’re keeping with the specific set of virtue Aristotle endorsed in the first place.

Overall, the essay is an exploration of three pretty well known philosophers through the lens of Final Fantasy. It’s pretty much exactly what you’d expect from a pop philosophy book and unlike Littman’s last essay it never ends up cutting off the branch of logic it’s sitting on.

Final Fantasy and Philosophy: Objectification of Conscious Life Forms in Final Fantasy

This essay discusses objectification from the three dominant ethical philosophies in our society: Kantian duty, utilitarianism, and Aristotle’s virtue ethics. Except that’s actually a lie, because objectification means to treat someone as though they have no ability to make decisions on their own, but this essay uses it to instead mean to use someone else as a means towards an end. These are obviously related, but the essay early on declares that Final Fantasy VIII protagonist Squall willingly allowing himself to be flung back in time to further the (pro-social, world-saving) agenda of Ellone is an example of objectification that would be moral according to Kantian ethics (contrasted with another example where Kantian ethics would oppose an act of objectification). But if Squall exercised agency, then he was not objectified. Although initially used as a tool without knowing what the Hell was going on, the essay claims that this is moral only because (and presumably, starting from when) he started going along with it willingly. At that point, his will is no longer being subverted, he’s not being objectified anymore, he just agreed to help someone.

For Kant, things like “don’t objectify people” are moral imperatives, inviolate laws which are always wrong, regardless of circumstance. Kant is someone who, when Nazis come to your house asking if you’re sheltering Jews, it’s immoral to say “yes, they’re in the basement” because being an accessory to murder is wrong, but it’s also immoral to say “no” because lying is wrong, so you have to say “I’m not helping your campaign of genocide” right to the Gestapo’s face and hope that turns out well not just for you, but also for the Jews, who now face a higher chance of capture because you’ve drawn so much attention to your house, specifically, as a place where they might be hiding. To Kant, the much higher chance that the Nazis successfully murder a few more innocent people doesn’t matter. What matters is that you, personally, kept the moral imperatives against both dishonesty and murder.

There’s obviously some room to argue with that, but there’s no actual conflict within Kantian ethics on the issue of objectification. If one person decides, for their own reasons, to act in the interests of another, that’s not objectification. That’s just cooperation. Even if Squall is behaving exactly as Ellone would want him to if Ellone were to use him as a tool, if Squall is doing it of his own volition, then he’s not being objectified. It’s just super convenient for Ellone that he has decided to help her.

In the next section, after claiming to have demonstrated Kant’s incapability to resolve objectification (but not actually doing that), the essay claims to demonstrate utilitarianism’s inability to resolve objectification (but doesn’t actually do that). It does land closer on the mark this time, in that it hits upon the common objection to utilitarianism that it theoretically demands that people sacrifice their lives or well-being for the greater good, whether or not they want to. I’m not surprised that people first encountering utilitarianism frequently raise this objection to it. I am surprised that academia hasn’t followed that thought experiment to its obvious conclusion: Demanding that people sacrifice themselves (either by literally dying or by giving up their own happiness so a greater number of people can benefit) requires a coercive organization of some kind to force the sacrifice, even if you somehow managed to guarantee that organization was always and forever operated only by solemn utilitarian martyrs who used it solely in situations where those who benefited genuinely outnumbered those who were harmed, people would still live their lives in constant fear of being the next target of that organization, which would be a constant downward pressure on utility that the organization couldn’t realistically outpace, which means it ultimately creates negative utility which means utilitarianism is opposed to the creation of such an organization.

Some anti-utilitarians are clever enough not to point out that their alleged knock-out punch against utilitarianism is a thought experiment in which a bunch of utilitarians go around decreasing utility, i.e. doing the one thing their philosophy tells people not to do. Robert Arp and Sarah Fisk are not this clever:

Although mandatory self – sacrifice would create a tremendous amount of happiness for some people, the amount of misery for the widows, the families, and the friends of the departed would be just as substantial. Such a system would induce paranoia, undermine security, and destroy humanity as we know it, thereby making it worse.

If you admit that this scheme would ultimately result in negative utility, why do you insist that utilitarians are compelled by their philosophy to pursue it?

The essay’s ultimate goal is to establish virtue ethics as superior to moral imperatives or utilitarianism. The essay claims that Aristotle’s virtue ethics oppose objectification because they are actions of someone with a vicious (i.e. characteristic of vice rather than virtue) character, which is tautological. Aristotle’s virtue ethics doesn’t actually oppose objectification at all. Aristotle was explicitly in favor of slavery. Now, virtue ethics is inherently tautological, in that its fundamental statement is “the right thing to do is whatever a virtuous person would do,” which is synonymous with “the right thing to do is whatever a person who does the right thing would do.” For any specific virtue ethicist philosophy to be valid, it must first define and defend some specific virtues. Aristotle did this, but as mentioned, that set of virtues was totally okay with slavery. You can argue in favor of a different set of virtues, but then you have to lay out what specific virtues you’re defending. Without an actual list of virtues, virtue ethics is a hollow shell with nothing to say on any subject. When someone mentions “virtue ethics” it’s usually safe to assume they specifically mean Aristotle’s virtues, but again, Aristotle believed that some people were naturally fit only to be slaves, so it is difficult to imagine how an essay could get the issue more wrong than by saying that he’s the one who got the issue of objectification exactly right.

The essay does acknowledge other virtue systems than Aristotle’s. Specifically, it recognizes Nietzsche’s:

Friedrich Nietzsche (1844 – 1900) advocated a form of virtue ethics that was very different from that of Aristotle. Nietzsche believed that power was the ultimate virtue, and that we all must express power if we are powerful. Society consists of domineering master – slave relationships.

This is a technically true but extremely misleading summation of Nietzsche’s philosophy. Nietzsche saw “master morality” and “slave morality” as opposed ideologies locked in eternal struggle with one another, and didn’t really endorse either of them (although his philosophy was closer to master morality). Nietzsche’s historical perspective is wrong – “master morality” and “slave morality” crop up as situationally useful ideologies that people and nations tend to rapidly and hypocritically bounce back and forth between based on which is presently more useful to them, not declare their allegiance to permanently and use as banners around which a battle for society is fought – but his ultimate philosophy is one of individualism, of not letting other people tell you what to do whether through sheer power or by trying to convince you that it is immoral. He frequently expressed this as some variation on “imposing your own power on the world,” but saying “Nietzsche believed that power was the ultimate virtue” as the introduction to the concept is not helpful to getting people to understand his philosophy.

It gets better, though:

For example, the character of Cloud in Final Fantasy VIII is attracted to being in control, whereas his nemesis, Seifer, is prone to being controlled.

For those unfamiliar with the games, Cloud is the protagonist of Final Fantasy Seven, Seifer is a villain from Final Fantasy Eight. This is not a case of putting the wrong number of Is on the end of the Roman numeral. This is either getting the names of the protagonists of two different games confused or getting the games themselves confused with each other. How did neither the original essay writers nor the compilers of the book catch this in editing?

Ultimately, this is an essay about how great virtue ethics is that mainly just expresses an inability to understand how moral imperatives or utilitarianism actually work.

Final Fantasy and Philosophy: Gaia and Environmental Ethics in The Spirits Within

Good God, what is this book’s obsession with the Spirits Within? It came out in 2009! We all knew the movie was terrible since it came out in 2001! Photorealistic CGI wouldn’t be ready for prime time for at least another decade! Granted, that doesn’t mean it can’t be philosophically relevant, but most of its philosophical concepts also come up in Final Fantasy VII, which is far better regarded.

The inclusion of this essay is particularly egregious, because it’s basically just The Lifestream, Mako, and Gaia but much stupider. Take this description of the philosophy referred to as “mechanism” in that essay:

[General Hein] espouses a view that is often criticized as a short – sighted, male conception of nature. Hein views nature at best as a collection of inanimate objects subject to humanity ’ s desires and, at worst, something hostile to the human species that needs to be dominated and made to conform to humanity ’ s will.

Thus essay author Jason P. Blahuta has become the eighteen billionth nominally feminist writer to discuss how awesome gender roles are. Bonus points: Jason is a man (confirmed in the contributors section), and his own opposition to the perspective he describes as a “male conception of nature” fundamentally proves that it’s not somehow inherent to maleness. Anyone who thinks he might have been a closeted transwoman back in 2009 when transgender people had basically no popular acceptance at all is going to be disappointed by his current faculty page at Lakehead University. Another gem from that page verifies for us that his interest in Machiavelli isn’t because he’s one of those “literally every book Machiavelli wrote except for one was about how great republics are” people, but because he’s one of the edgelords who thinks the Prince should be taken seriously.

That quote isn’t the last time when Blahuta brings up gender issues despite their being completely unrelated to the subject of his essay. And I don’t mean that he goes into a random digression on gender issues in the way that, I dunno, male General Hein interacts with female Dr. Aki (this probably wouldn’t be much of a contrast anyway – good guy science team is made up of not only female Dr. Aki but also male Dr. Cid). He just randomly asserts that holistic views of the environment are more feminine or feminist or whatever. There is never any support for why this reinforcement of gender roles is in any way relevant.

Even from the paradigm that gender roles are valid, Blahuta hardly seems to be arguing for any set of gender roles other than the one we’re familiar with: Men as aggressive and enterprising, women as demure and compassionate. He’s flipping the script and saying that the female perspective is superior to the male, but so far as this essay reveals he stands by the traits associated to each gender. And yet, when discussing the last essay, I somehow managed to give a very aggressive defense of holism without bursting into flame:

[H]olism posits that people die when you remove their vital organs, even if their brain is completely unscathed, which is obviously true, and mechanism posits that this for some reason doesn’t apply to any complex systems except human bodies (and also anything else that obviously works holistically).

Blahuta’s incapacity for clear reasoning is evidenced elsewhere in the essay:

The Gaia hypothesis maintains that humans (and not only lawyers and politicians) have no more moral worth than does any other member of the biotic community, maggots included.

No it doesn’t. Nothing about thinking of the Earth as a giant super-organism requires valuing maggots the same as humans. Gaia hypothesis is a hypothesis, not a moral philosophy. It doesn’t state anything about the value of human life. It does implicitly push an environmental morality in which being capricious with nature is unwise because we need it to live, but only because the presumed audience is human and therefore cares about humanity’s survival.

Really, the consistency with which Blahuta likes to paint demographics he is personally a member of as less worthy or having less moral worth than is typically assumed is coming across as resulting from either self-loathing or fetishism.

Particularly noteworthy how he actually calls attention to non-human threats to Gaia that humans are able and naturally incentivized to thwart:

[I]n the long run Gaia is doomed anyway. Gaia and all of life that she makes possible will die in about five billion years when the sun dies, and that’s assuming her ability to self – regulate is not destroyed first by a gamma ray burst from a nearby star going supernova or maimed by a massive meteor impact.

And yet a few paragraphs later, this is his concluding statement:

[H]umanity is little more than a cancerous tumor inside Gaia, and the fate of the species depends on whether we choose to be a benign or a malignant tumor.

This puts me in the weird position of having already delivered an impassioned rebuttal to this essay in my last post, which leaves me with not much to do except to point out that this conclusion has not only overlooked the fact that we are Gaia’s only hope of surviving major cosmic extinction events like gamma ray bursts or the expansion of the sun, Blahuta actually explicitly brought up exactly those threats and somehow it never even occurred to him that humanity is not only theoretically capable of defending against them, but actively working towards doing so. So I again bring up how relentlessly Blahuta hates on demographics that he is specifically a part of, and how this colors his perspective on the world far past the point of reason.

Final Fantasy and Philosophy: The Lifestream, Mako, and Gaia

Jay Foster opens up this essay by talking about the Lifestream from Final Fantasy VII, but don’t be fooled. He’s mostly here to talk about the Spirits Within.

Jay Foster’s name is so generic as to make him practically ungoogleable, but the contributors section identifies him as “teach[ing] in the Department of
Philosophy at Memorial University of Newfoundland,” so this is one of our professional type philosophers. So was JK Miles, the mind behind Paragons and Knaves from Dungeons and Dragons and Philosophy, so my expectations aren’t necessarily all that high. In this essay, he uses Final Fantasy VII’s Lifestream and the Gaia spirit from The Spirits Within to discuss environmental philosophy.

Gaia Theory in the actual real world is the idea that the entire planet is a single organism. We refer to humans and antelope and whatever as organisms because although we are made up of distinct organs, only collectively are those organs able to survive. Our kidneys clearly have a wholly distinct anatomy and metabolism to our heart, but the fact that our kidneys can only survive when physically plugged in to the rest of our body is what causes us to describe it as a component of an organism rather than an organism unto itself.

Like many definitions attempting to describe the natural world, this one runs into some edge cases where we basically say “okay, but it’s close enough.” How many organisms is a single starfish? You can slice one in half and two new starfish will regrow from the fragments. Does that mean it was actually two organisms all along? Aren’t there better ways to define an organism, like “a mass of organic material that is continuously connected and capable of reproduction?” Maybe (yes), but what’s important to this essay is how accurately that definition describes organs in relation to organisms rather than organisms to each other. An organ is an organic component of an organism unable to function or even survive without being attached to the organism. You can remove a kidney from a human and the human will live (you’ve still got the other kidney), but unless attached to a different human, the kidney will die. Small amounts of tissue die pretty quick when cut off from the rest of their organism, but are such a non-threat to the organism as a whole that nobody thinks anything of taking a tissue sample whenever it would be helpful to diagnosing a medical problem. That’s not a risky procedure to the organism at all despite being 100% fatal to the removed tissue.

Which brings us to Gaia Theory: Humans are each individually a component part of the world, and if you remove a single human from the world, the Earth’s greater ecosystem will not notice, but the human will rapidly die unless transplanted to another world also capable of supporting human life, like the kidney transplanted to a different human body. A colony on Mars or Luna would allow us to safely leave Earth, but only for specific destinations that have artificially been prepared to support human life in Earth-like conditions – no different from an artificial human shell created to keep kidneys functioning indefinitely when removed from a body. If your end goal is to keep as many kidneys alive as possible, it’d make sense to build as many of those as possible and transplant kidneys from dying humans into them, but it doesn’t change the fact that the kidney can’t survive without a compatible organism, or else an artificial replacement intentionally engineered to keep the kidney alive as though it were a compatible organism.

As such, could it not be said that humans are organs or tissue, a component part of the Earth’s ecosystem as a whole?

Continue reading “Final Fantasy and Philosophy: The Lifestream, Mako, and Gaia”

Final Fantasy and Philosophy: Judging the Art of Video Games

Alex Nuttall delivers this judgement mid-way through his essay:

Interesting characters, plots, and art design are found throughout the Final Fantasy series.

In his defense, he had no way of knowing at the time how Final Fantasy XIII would turn out.

This essay is an examination of Hume’s belief in an objective method of measuring the quality of art through the lens of the three status effects traditionally inflicted by the malboro monster in the Final Fantasy series: Sleep, Confusion, and Charm. The concept of an objective measure of art likely sounds immediately stupid, and it is. Hume was foolish to take his views to the extreme that he did. But that doesn’t mean he’s entirely wrong. Consider the fact that it is obviously true that some pieces of art are more popular than others, and also that it is much harder to make a work of art one way than another. In other words, that an objective level of technical proficiency can be demonstrated by an art piece even if technical proficiency isn’t the final say on the subjective quality of that art piece. And the popularity of an art piece is correlated fairly strongly to its technical proficiency. Sure, the most technically proficient art pieces are rarely very popular, and it’s often true that the most popular movie/game/whatever on the market right now doesn’t have much technical proficiency, but pay attention to the general trend instead of the extremes and the overall pattern is that higher amounts of technical proficiency do correlate to more popular art. People seem to enjoy an impressive performance.

And consider also how near-universal the opinion, even if subjective, that someone who’s seen a larger amount of art in a certain medium or genre is better qualified to judge the quality of that art as compared to someone who hasn’t seen much at all. Everyone agrees that art is subjective and it’s impossible to measure whether one work is better than another, and yet everyone also agrees that a judgement of a work’s quality will be more accurate when coming from someone who’s seen more than just one or two other works in the same medium. Sure, people deride critics for being out of touch, but they also deride people who gush about the quality of the one book they’ve read or the one horror movie they’ve seen. People who read lots of books or who watch lots of horror movies are held to be a better judge of a book or horror movie’s quality than people who’ve only read or seen one, and that statement is only ever controversial when paired with the mutually exclusive statement that art is subjective and can’t be “more accurately” judged at all.

Continue reading “Final Fantasy and Philosophy: Judging the Art of Video Games”

Final Fantasy and Philosophy: Kefka, Nietzsche, Foucalt

This essay spends a lot of time talking about, as the title implies, Nietzsche and Foucalt. This is kind of unfortunate, since Nietzsche and Foucalt were objectively wrong. I don’t mean in the sense that their philosophical opinions were fundamentally invalid because I have unlocked the secrets of objective morality and can measure the ethicalness of a statement with the inarguable exactness of a ruler measuring length. I mean that they justify their philosophies using a history that never happened.

Let’s start with Foucalt. Foucalt describes an evolving opinion of madness in which, during the middle ages, insane people were considered to have some greater understanding of the universe that humanity was unable to grapple with, driving them mad. Sane people could thus learn by listening to them for scraps of intact wisdom that fell from their shattered minds. Then, in the Age of Enlightenment, reason become the ultimate source of good, which meant those whose reasoning was impaired became inherently evil, whence the insane asylum was developed.

The problem with this is that we don’t have a goddamn clue how the insane were treated during the medieval era, but there’s plenty of evidence to suggest that the insane asylum is not a new thing. The Royal Bethlehem Hospital is the oldest psychiatric institution in continuous operation, having been “treating” the mentally ill since at least 1403, at which time its inventory included multiple sets of shackles, stocks, and locks. No record explicitly states that these were used to restrain mentally unstable patients, but it’s hard to imagine what else a set of shackles would be used for in a hospital. There’s no evidence that treating the mentally ill like criminals regardless of whether they have actually committed crimes was an invention of the Age of Enlightenment.

Nietzsche claims that in the beginning, “good” simply meant “superior,” in the objective sense of being better at something. Like a sturdy chair being good compared to a flimsy one. Then at some point there was a “slave revolt” in which the weak ruled over by the strong grew tired of being subjugated and developed a morality in which “good” was associated with virtues like meekness and compassion. The closest you could get to such a “slave revolt” would be the rise of Christianity in the late Roman Empire, but that then led to medieval Christian kingdoms in which the strong subjugated the weak even more than they had under imperial Rome. Nietzsche talks of the “slave morality” as reigning over the modern world he lived in and only beginning to crumble during his lifetime, but he lived in 19th century Germany right amidst the great powers of Europe who were at that exact moment scrambling for Africa, and in so doing committing the latest in a long history of colonial atrocities against native populations across the world. The idea that the European powers contemporaneous to Nietzsche operated under any kind of morality that exalted meekness and compassion is laughable. The success of early Christianity had turned those concepts into moral buzzwords but powerful empires had never once followed them no matter how Christian they claimed to be.

This isn’t a history book, though, it’s a philosophy book, and while the digressions elucidating Foucalt and Nietzsche’s completely inaccurate histories take up plenty of space, they aren’t the ultimate point. Rather, the ultimate point is an existential one: Kefka’s omnicidal mania is not especially manic. After ascending to godhood, Kefka sees no meaning in the world and has therefore decided to destroy it. This perspective isn’t insane. It doesn’t defy reason. You can’t sit down and objectively prove that it’s morally correct for the world to continue to exist. Obviously, the overwhelming majority of people want to go on living and Kefka’s desire to end everything puts him in opposition to practically everyone he hasn’t already killed, but that doesn’t make him unreasonable. He has a terminal goal that’s different from everyone else’s.

Then it ends by speculating that Kefka’s near-annihilation of the planet was the best thing for everyone because the struggle to overcome him made the six-ish people in the party better, and apparently the untold hundreds of thousands of lives he exterminated along the way don’t count for shit. I’m not sure Kylie Prymus thought this all the way through.

Speaking of that guy, he was studying for a PhD in 2009 and now manages a game store. His education field claims he has a master’s in philosophy from Duke University, but nothing about a PhD, so I guess he never finished that thesis. This isn’t the first time someone with a degree specifically in philosophy has submitted an article that drops the ball on ethics to the tune of completely forgetting hundreds of thousands of innocent bystanders murdered, but it is the first time a degree from as prestigious a university as Duke has managed it. Achievement unlocked, I guess.

Final Fantasy and Philosophy: The Spiky-Haired Mercenary vs. The French Narrative Theorist

What you are reading is an emergency backup plan that should’ve been put into action eighteen hours before it actually was. This isn’t really the kind of thing I want to do while letting the LitRPG genre cool off, for two reasons: One, I think this blog would benefit from a new kind of content, and I did one of these books before, and two, a significant benefit of my reviews is that they force me to take a closer look at books in a genre I have at least some intention of writing in, and I don’t particularly plan to ever contribute to one of these books or start up a competitor series or whatever. But we’ve once again reached that point where I’m already behind schedule which means either I review Final Fantasy and Philosophy article-by-article in order to buy myself some time to figure out what I really want to do with my M/W/Th/Sa articles or else I just let those days lie completely fallow until I think of something. So welcome to the Chamomile review of Final Fantasy and Philosophy, where our motto is “at least it’s better than a blank page.”

Our first article is brought to us by one Benjamin Chandler, whom the contributors section at the back of the book informs is a creative writing PhD from Flinders University, Australia. Normally I try to dig up more information on these guys online, but with a lead that cold I’m not even gonna try. In any case, he falls firmly into the category of “not actually a professional philosopher,” so in context of this post, he basically exists solely to produce this one essay for Final Fantasy and Philosophy.

We get this paragraph towards the beginning of the essay:

The characters in FFVII possess two different types of signifiers. The first type is built into the characters by the game developers, so we might call them presets ; they are the fixed aspects of the characters: hair color, speech, age, and so on.
Cloud Strife is a spiky-haired badass, Aeris is an ill-fated Cetra, and so on.

So we can add Benjamin Chandler to the list of people who don’t get the point of Final Fantasy VII. Cloud Strife isn’t a badass, he’s a mook cosplaying a badass.

Continue reading “Final Fantasy and Philosophy: The Spiky-Haired Mercenary vs. The French Narrative Theorist”